Corrugations 12

World renowned ARIA Award winning cellist, Daniel Yeadon, and brilliant keyboardist, Neal Peres Da Costa, will perform a concert of Vivaldi, Bach, and Rameau plus contemporary works including new Butcherbird compositions by Hollis Taylor and Jon Rose.

Entrance is free, but donations between $20-$50 are encouraged (to pay the musical guest; we don’t take anything ourselves). This concert will be outside, so bring anti-mozzie lotions. There is some concentrated listening and viewing involved, so not really suitable for small restless children.

So if you want in, register asap by emailing us at: 

[email protected]

Some more information on the artists:

Neal Peres Da Costa is Associate Dean (Research) and Professor of Historical Performance at the Sydney Conservatorium of Music. A world leader in scholarly interpretation, Neal has received high praise for his ground-breaking monograph Off the Record: Performing Practices in Romantic Piano Playing (OUP, 2012) and for the co-edited Bärenreiter edition of Brahms’ Sonatas for solo instrument and piano. Neal was recipient of two Australian Research Council Discovery Project grants for research into 19th-century piano playing (2016) and into bel canto singing practices (2022). Neal regularly performs with Ironwood, Bach Akademie Australia, and Australian Romantic and Classical Orchestra, and has an extensive discography which, most recently, includes chamber music by Brahms, Beethoven’s Piano Concertos 1 and 2 with the Australian Haydn Ensemble.

Daniel Yeadon is an exceptionally versatile cellist and viola da gamba player. He has a love of a wide range of musical genres and performs repertoire from the Renaissance through to Contemporary. Daniel is a passionate chamber musician, playing regularly with Ironwood, Australian Haydn Ensemble, Australian Romantic and Classical Orchestra, Australian Chamber Orchestra, and Bach Akademie Australia. Daniel is a senior lecturer in cello, chamber music and historical performance at the Sydney Conservatorium of Music. His current research interests include 19th-century performance practices and the potential uses of sound design in science education. Daniel has a science background and is involved in multiple science-music research collaborations as an ambassador to Sydney Nano – the nanoscience institute at The University of Sydney.

We look forward to seeing you there!